.png)
RISING ABOVE THE VOLUME
Anny Colvin
(Head of Music, JAX)
Ann Kline
(Music Supervisor, CasaKline)
Rob Lowry
(Music Supervisor, Sweater Weather Music)
Kristen Bushnell Perez
(Senior West Coast Film/TV, Glassnote Entertainment Group)
MODERATOR
A spirited discussion between licensing companies and music supervisors, each discussing better ways to managing the ever-increasing volume of music submissions, demonstrating better creative pitch approaches, writing more effective creative briefs, and using technology and smart metadata to land the synch.
TYPE: Moderated Panel Discussion
ROOM: TAPER HALL 301
(173 seated)
TIME: 3:00pm - 3:50pm
Anny Colvin
(Head of Music, JAX)
Anny Colvin is the head of music at JAX, a boutique creative agency that specializes in movie trailers, advertising and other creative projects. At JAX, Anny has worked on various film campaigns such as Netflix’s Roma, To All The Boys I’ve Love Before and Operation Finale, Warner Brother’s Fantastic Beasts, Ready Player One, and Justice League, Focus’ Tully and Atomic Blonde and Disney’s Pirates of The Caribbean. She’s also worked on TV campaigns like HBO’s Game of Thrones and Westworld, Showtime’s Who Is America and Amazon’s Jack Ryan. Prior to JAX, Anny was the head of music at Vibe Creative, working on marketing campaigns for Disney’s Jungle Book, Ant Man, and Universal’s Purge franchise. Before Anny was a music supervisor, she worked in various aspects of the music industry including both publishers (EMI, Position Music) and record labels (Capitol Records, Universal). She currently lives in Los Angeles and spends her time cooking, playing soccer and listening to science podcasts.
Ann Kline earned a BA from UCLA and a JD from Southwestern University School of Law. She practiced law in the music department of the William Morris Agency before starting a career as a music supervisor. For many years she ran the music department for John Wells Productions. In her position at JWP she supervised many television series’ including ER, The West Wing, Third Watch, SMITH, and the feature films White Oleander, Nearing Grace and The Company Men. Currently she is working as an independent music supervisor on Shameless, Animal Kingdom, The Good Doctor, The Magicians, The Goldbergs, Schooled, Wayne and the InBetween.
Ann Kline
(Music Supervisor, CasaKline)
Ever since the 8th grade, when Rob skipped school to catch an opening day screening of Almost Famous, he knew that he wanted to be a music supervisor. Since then, Rob has music supervised an array of projects, including celebrated TV shows (The Bold Type, Future Man), studio fare (Serenity), festival favorites (The Strange Ones, Already Tomorrow in Hong Kong), indie darlings (Band of Robbers, About Alex), critically acclaimed documentaries (Amanda Knox, Chicken People) and cult classics in the making (Another Evil, Uncle Kent 2). He has also worked on a variety of shorts, web series, and commercials. Along with experimenting with the perfect mixtape & tirelessly surveying the local music scene, Lowry spends his time as an avid coffee drinker, amateur surfer & unabashed defender of pop.
Rob Lowry
(Music Supervisor, Sweater Weather Music)
Kristen joined Glassnote Entertainment Group in 2018, focusing on Film and TV synch opportunities for the Glassnote label and its’ publishing company (roster includes Mumford & Sons, Phoenix, CHVRCHES and many more). Prior to joining the Glassnote team, Kristen spent eight years working in music publishing, as VP of Creative Synchronization for Atlas Music Publishing (Van Halen, Toby Gad, Dan The Automator) and Creative Licensing Manager for SONGS Music Publishing (The Weeknd, Lorde, Diplo). Kristen has secured placements in marketing campaigns for Netflix, Acura and Arby's, TV shows including It's Always Sunny In Philadelphia and Shameless, theatrical trailers for Disney's The Queen of Katwe and Warner Bros.' Ready Player One, and a film and soundtrack placement in Universal Pictures' Fifty Shades Darker. She has also been featured as a panelist at the Guild of Music Supervisors' State of Music In Media Conference, the Billboard Film/TV Music Conference and The Recording Academy's Music Business Night School.
